28 Days

• Comedy
• Drama

A sharply observed comedy-drama, *28 Days* distinguishes itself from typical addiction narratives through its refusal to romanticize recovery. Gwen, a cynical journalist, enters rehab not seeking transformation but evading jail time, initially treating the experience as anthropological research rather than personal healing. The film’s humor stems from Gwen’s pointed observations and disruptive presence within the structured environment, yet it gradually reveals a profound vulnerability beneath her defenses as she reluctantly connects with fellow patients—each grappling with their own uniquely flawed attempts at sobriety. It’s a refreshingly unsentimental portrayal of facing consequences, exploring how admitting powerlessness doesn't automatically equate to blissful acceptance, and instead, often manifests as messy, reluctant growth, creating a surprisingly comforting space for imperfection.