# Ancient Apocalypse (2022)

> Journalist Graham Hancock travels the globe pursuing evidence that a sophisticated civilization was wiped out by a climatic cataclysm around 12,000 years ago.

Canonical page: https://ember.film/tv/133980

## Facts

- Seasons: 2
- Episodes: 14
- Episode runtime: 35 min
- Status: Ended
- Genres: documentary
- Created by: Graham Hancock
- Network: Netflix
- Cast: Graham Hancock, Joe Rogan, Danny Hilman Natawidjaja, Geoffrey McCafferty, Mark Brink Jr., Randall Carlson, Allen West, Martin Sweatman
- TMDB rating: 7.3/10
- IMDb: https://www.imdb.com/title/tt22807484/

## Ember's analysis

- Pacing: brisk
- Intensity: mild
- Complexity: accessible
- Violence: none
- Tone: speculative, sensational, breathless, awe inspiring, contrarian

## What critics say

Viewers find the subject matter fascinating and well researched in places, but the heavy sensationalist sound design and speculative framing divide opinion.

## Synopsis

Ancient Apocalypse (2022-2024) is a British documentary series created by Graham Hancock for Netflix. Journalist and writer Graham Hancock serves as the on-screen presenter, travelling to archaeological sites around the world in search of traces of a sophisticated civilization he believes was destroyed by a climatic catastrophe roughly 12,000 years ago. Across two seasons and fourteen episodes of about thirty-five minutes each, the show builds each case as a sequence of field visits, interviews with researchers and commentators, and dramatized reconstructions of a prehistoric world hit by ice age upheaval. Hancock's pursuit is the engine: he challenges the mainstream timeline that archaeologists defend, pressing on sites that appear to predate accepted dates and on flood legends preserved in many cultures. The tone is breathless and speculative, with heavy sound design and urgent narration that give ordinary exposition a sensational edge, while the visuals of ancient ruins and landscapes carry a sense of wonder. Viewers who enjoy the speculative appeal of Ancient Aliens or the big-picture curiosity of Cosmos will recognize the format, though critics divide sharply over whether the approach informs or overreaches. It suits viewers drawn to lost civilizations, deep time and fringe history.

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