# Good Morning, Verônica (2020)

> An overlooked Sao Paulo detective chasing a dating-site predator uncovers a married couple's horrific secret and a conspiracy protecting it.

Canonical page: https://ember.film/tv/91901

## Facts

- Seasons: 3
- Episodes: 17
- Episode runtime: 44 min
- Status: Ended
- Genres: crime, drama, thriller
- Created by: Raphael Montes
- Network: Netflix
- Cast: Tainá Müller, Rodrigo Santoro, Eduardo Moscovis, Maitê Proença, Reynaldo Gianecchini, Camila Morgado, Klara Castanho, Camila Márdila
- TMDB rating: 7.4/10
- IMDb: https://www.imdb.com/title/tt12987918/

## Ember's analysis

- Pacing: brisk
- Intensity: strong
- Complexity: dense
- Violence: brutal
- Tone: tense, bleak, claustrophobic, gripping, unsettling

## What critics say

Audience reception is positive overall, with the first season rated strongly and later seasons rated noticeably lower.

## Synopsis

Good Morning, Verônica (2020-2024) is a Brazilian crime thriller series created by Raphael Montes for Netflix. Tainá Müller plays Verônica Torres, an underused police officer in São Paulo who begins hunting a predator operating through a dating site and soon discovers a married couple hiding a horrific secret. Eduardo Moscovis plays Cláudio Antunes Brandão, a figure whose respectable surface masks something far darker, while Rodrigo Santoro appears as Jerônimo in a role tied to the sprawling web of conspiracy that surrounds the case. Her engine is stubborn persistence against colleagues who dismiss her, as each lead pulls her deeper into a network of protection and cover-up. Across three seasons and seventeen episodes, the series builds a serialized mystery in which each season's case grows more entangled and the investigation keeps testing how far she will go. The tone is tense, bleak and claustrophobic, with an urban noir texture of nighttime city streets, interrogation rooms and domestic spaces turned unsettling. Its tradition is the Brazilian crime drama, and fans of Dark, The Killing and Narcos will find similar resonance in its moral unease and institutional rot. The result is a grim, gripping watch that lingers on the cost of looking too closely.

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